Adeline Koh has co-edited Rethinking Third Cinema, a volume of essays on the international guerilla cinema movement. She is currently working on Cosmopolitan Whiteness, a single-authored monograph on whiteness as a symbolic form of property in postcolonial literature, and Troublesome Women in Asia with Yu-Mei Balasingamchow, an edited collection on women, gender and sexuality in Singapore and Malaysia.
She has published peer-reviewed journal articles in Third Text and the Journal of Postcolonial Writing, book and film reviews on H-Net and Films for the Feminist Classroom, and writes articles on digital publishing in the Profhacker column for the Chronicle of Higher Education. For a list of her publications and links to downloadable versions, please see her academia.edu page.
Additionally, she currently works on several digital humanities projects:
The #DHPoco (Postcolonial Digital Humanities) website with Roopika Risam;
An accompanying #DHPoco (Postcolonial Digital Humanities) tumblr, a shared microblog with Roopika Risam;
Digitizing ‘Chinese Englishmen’, a digital project that focuses on the creation of “Asian Victorians” in Southeast Asia under British colonialism. It concentrates on the digitization and annotation of the Straits Chinese Magazine, a journal produced by the Chinese diaspora in Southeast Asia in the late nineteenth and early twentieth centuries;
The Stockton Postcolonial Studies Project, an ongoing digital research project that explores different theoretical arenas within postcolonial studies.
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